The Seed and the Story: Alive Inside Documentary. What Can Be Done Where You Are?

Image of Henry from the film.
Earlier last week a friend called my attention to an online preview of the documentary film, Alive Inside. Produced by Ximotion Media, the film follows social worker Dan Cohen as he brings IPods filled with music to residents in a nursing home. It’s not long before the patients—many of whom were previously silenced by dementia—begin communicating again.
The clip that’s been circulating online features Henry, a man who’s confined to a wheel chair, is virtually nonverbal, and doesn’t even recognize his daughter who visits him daily. After he’s given headphones to listen to Cab Calloway, one of his favorite musicians, his eyes light up and he begins to sing along. It’s not long before he’s speaking again, expressing how music encapsulates feelings of love and humanity. Social worker Dan Cohen seeks out the expertise of neurologist Oliver Sacks and together they investigate how music affects our brains in the most profound of ways. The patients aren’t cured of their dementia, but they do find news ways to communicate, which clearly provides a huge dose of hope to the family members and staff who care for them, an oft under-recognized casualty of the illness.
Chances are that you have, or will, care for someone with dementia. Watching a loved one lose their ability to communicate is one of the more difficult things any of us will face. The fact that music remains so powerful in the lives of those with dementia will probably come as no surprise to anyone who’s grown up with music, be it in church, on the radio, or in juke joints. Music is a link to our past, a connection to former generations, and can encapsulate hope for the future.
In watching the film preview I was reminded of all those times as a child when we visited area nursing homes to sing to the residents, many of them joining us and singing along to songs decades old. I thought about how my own grandmother, fully overcome with dementia, didn’t always know where she was but could remember every word to the gospel songs her husband once sang as a song leader in the rural Chickalah Church of Christ. And I remembered how her roommate, a woman who often mistakenly brushed her hair with a sock, was the one who had to remind me of many of the melodies that afternoon when we broke out the old hymnal in their room in Stella Manor. I’m sure you have similar stories. Music is a bridge builder across years and generations and possesses a mysterious power that is beyond our ability to articulate.
The producers hope this film will be more than just a moving story. They want it to fuel a grassroots movement of everyday folks thinking of ways they can bring music to their own loved ones and others in area nursing homes. After all, we are surrounded by Ipods and other forms of technology. Too often they’re just sitting in drawers gathering dust. The film begs the question: How can we use the technology we take for granted to reach out to our elders? And, of course, the bigger question becomes: what are each of us doing to care for the aged in our community? I’d love to hear what you’re doing and other ideas you might have that can help all of us transcend generational gaps. You can watch the film clips at http://www.ximotionmedia.com. And for those of you who care for the aging in our society: thank you. Your job is one of the most important in all the world.
You can watch the preview below. You can learn more about the Music and Memory Project by clicking here.
Alive Inside Trailer from Michael Rossato-Bennett on Vimeo.
Persistent Story: Celebrating the West Kentucky African American Heritage Museum

Michael Morrow with students from Russellville High School, Russellville, Kentucky.
We’ve been sprucing things up around here and reorganizing files.
You can now watch the film Persistent Story: Celebrating the West Kentucky African American Heritage Museum at our Boiled Down Juice Vimeo Page. This film was made in 2008 in the Folk Studies graduate program at Western Kentucky University in partnership with Michael Morrow and the West Kentucky African American Heritage Museum in Russellville, Kentucky. The film is used today by the center for educational and promotional purposes. Disclaimer: The film was made over the course of one semester and was my first film making experience. Therefore, it’s not without its share of imperfections in audio, editing, and the like. I’m sharing it here because I hope the message of the film outweighs the technical mistakes.
The Center is an excellent example of community-based grassroots organizing, the power of oral history to unite a community, and the role of intergenerational research in planning for the future. Working with Morrow and the center was life-changing for me and informs much of my work today. If you haven’t been already, I highly recommend you visit the center! It’s an amazing place doing amazing work! Once we’re finished sprucing up the files we’ll have more photos and information to post. Thanks to Dr. Kristin Dowell for help in the production of this film.
Here’s a great article about Morrow from the Amplifier.
Persistent Story from Boiled Down Juice on Vimeo.
Michael Vinson Williams and Gale Zucker at the Arkansas Literary Festival
The Arkansas Literary Festival is in full swing now, and if you’ve had a chance to look at the schedule you know that’s it jammed packed with options. We won’t even begin to touch on all the offerings, but make sure you check out the Arkansas Times this week and read, “Arkansas Liteary Festival slate piles it on,” by Leslie Newell Peacock. She helps break down the dizzying array of options.
We’re super excited about the opportunity to interview two of this years participants whose work touches on many of the themes covered in this blog. Stay tuned for upcoming posts and radio interviews with these two great authors. Better yet, check them out in person tomorrow. Do you have a question you’d like to ask Dr. Williams or Gale Zucker? Leave a comment below or send an email and I’ll try and include it!

From the Arkansas Literary Festival.
According to the Arkansas Literary Festival, “Michael Vinson Williams earned his PhD in history from the University of Mississippi. His research focuses on sociopolitical resistance movements, black intellectual radicalism, and Civil Rights struggles. He is currently an Assistant Professor of History and African American studies at Mississippi State University and the author of Medgar Evers: Mississippi Martyr.” He’ll be speaking at 1:00 at Mosaic Templars Cultural Center at 1:00.

- From the Arkansas Literary Festival.
Gale Zucker, a photographer and co-author of the book Craft Activism: People, Ideas, and Projects from the New Community of Handmade and How you Can Join In, will be speaking tomorrow at 11:00 in the Main Library, third floor. After that she’ll be hosting a yarnbombing in downtown Little Rock at noon. Regardless of your skill level, this should be an amazing event!
According the the Festival’s information, “Zucker is also the photographer/co-author of Shear Spirit: Ten Farms, Twenty Projects and a dozen other books, including a series of children’s picture books about manufacturing in America,Made in the USA.” You can visit the Craft Activism blog here.
The Seed and the Story: ARVAC and VISTA, Folk arts and the War on Poverty in Arkansas.
The Seed and the Story is a weekly column exploring folklife, sustainability, oral history, human rights,and community in Yell County, Arkansas. The column is published in the Post Dispatch and is syndicated in the Courier. Please remember to support your local paper and independent media! The Seed and the Story column is just of many features you can find on the Boiled Down Juice. Follow us on Facebook and Twitter. If you enjoy our posts, please tell a friend. And thanks for reading.
Alongside researching the history of Chickalah and Harkey’s Valley, I’ve been reading In Service to America: A History of Vista in Arkansas 1965-1985. Written by Marvin Schwartz, this 1988 publication traces the VISTA organization throughout the state. I’ve been particularly interested in the work of this organization in central Arkansas, including the creation of a craft co-op, which served both Yell and Pope Counties.
Created in 1965, VISTA was an outgrowth of President Johnson’s War on Poverty and Economic Opportunity Act of 1964. This national legislation sought to provide lasting and locally based solutions to struggling communities. Operating much like a domestic version of the Peace Corp, volunteers in the VISTA program received a subsistence wage and lived in economically poor areas where they worked in partnership with community members to generate economic initiatives and help residents gain access to health care and adequate food. VISTA volunteers, many of them college age, worked to help create grassroots programs which focused on local needs, thus making each VISTA program unique to its region.
In 1960 approximately 40% of the population in the river valley was living below the poverty line. Illiteracy, inadequate housing, and unemployment were rampant. One of the first VISTA programs in the nation was the Yell County Economic Opportunity Program, a pilot recipient of an OEA grant. The organization was soon absorbed into its larger sister organization, ARVAC (Arkansas River Valley Area Council), which hosted numerous national and local volunteers. ARVAC formed programs such as the Housing Development Corporation, an organization utilizing the rural tradition of barn raising to help low income families secure homes, and ARVAC Rural Folkcrafts, a network which provided a market for rural quilters, white oak basket makers, seamstresses, and other artisans, allowing them to sell their traditional wares and earn a living for their families. Another organization, Counseling Associates (formerly known as ARVAC Community Mental Health Program), began under the ARVAC VISTA program and operates independently today.
In its early days VISTA brought in volunteers from around the nation, but in later years became more focused on long-term, locally based volunteers, which helped the programs thrive. From the beginning, the goal of VISTA programs was to become self-sufficient. ARVAC stuck around and quickly became a model of successful VISTA organizing. ARVAC’s craft co-op, which began in 1975, continued throughout the 1980s, as did housing initiative, which later became known as Universal, INC.
Schwartz’s book features interviews with a few river valley VISTA workers, including the late Myrtle Cress who worked in Ola and Betty Burnett who organized a housing co-op in Dardanelle. It also highlights the work of Lou Vitale who was instrumental in founding the crafts co-op. I’d love to learn more about the creation of these initiatives, how people felt about the work, the craftspeople who sold at the co-op, and the use of the barn raising tradition in area housing initiatives. Were you affiliated with VISTA? Did you or someone in your family sell crafts at the co-op? Perhaps your house was built utilizing the barn raising tradition? I’d love to hear more. An extra special thanks to Mike Luster of the Arkansas Folklife Program for introducing me to this book.
Also please don’t forget we’re still working on compiling stories of plants and seeds for our book on stories and gardening in the area. We’d love to include your story! To learn more visit us here. To read a little bit about the backstory of the garden book read this column.
Friday Video: Seed Swap Documentary

From Seed Swap Documentary
This week’s Seed and the Story column looked at the organization Conserving Arkansas’s Agricultural Heritage (CAAH) and the annual Seed Swaps currently taking place throughout the state. This afternoon we will be posting a radio piece which will air on KUAF today profiling voices from the swap last year in Russellville.
In keeping with this coversage of CAAH, today’s Friday Video is a trailer for the film, Seed Swap Documentary. Produced by Zachariah McCannon, the film documents the early days of the CAAH organization and the work of anthropologist Dr. Brian Campbell as he organizes the first seed swap in Mountain View, Arkansas. According to the film’s Facebook page:
This documentary film uses the development of a seed exchange and agricultural biodiversity conservation project in the Ozark Mountains as an ethnographic lens to explore the seed saving subculture of the region.
To learn more about the film, follow the project on facebook here.
To read more and to keep up with screenings around the state, visit the film’s webpage. It looks like there will be screenings coming up this March in Fayetteville, Hot Springs and Eureka Springs.
And don’t forget there will be a swap this Saturday in Russellville and one Sunday in Conway. Go here for a full listing of swap dates and times.
“Hand of Man” Video About Mountain Top Removal
The band Magnolia Mountain recently released a video for their song “Hand of Man” about the horrors of Appalachian mountaintop removal. The song appears on the Music for the Mountains compilation cd, which was released last year (to read about that project go here).
According to the band’s web page, the video took about a year to make. It’s filled with footage detailing the destruction that comes from this form of coal mining, including reference to high cancer rates and polluted waterways. The video takes its cues from a long history of Appalachian organizing.
From Jeff Bigger’s post in the Huffington Post:
The Hand of Man” takes the listener to White Star Holler in Kentucky, where seven generations of mountain families have struggled to defend their lives and livelihoods from the toxic fallout from coal company destruction:
White Star Holler was my home
Shared the crops that we had grown
Shared the water from our well
Shared the life we loved so well
Coal men brought the mountain down
Leaked their poison underground
Mother, neighbor, friend, and son
Cancer took them, every one (to read the whole post go here)
The band is asking that this video be shared far and wide to spread the word about mountaintop removal. Want to know and/or get involved? Visit I Love Mountains.org and be sure and check out the work of Kentuckians for the Commonwealth.
Friday Video: Immokalee: A Story of Slavery and Freedom.
Earlier this week we posted about Yes! Magazine’s Breakthrough Fifteen. One of the people profiled in the issue is Lucas Benitez, a man who helped to form the Coalition of Immokalee Workers (CIW). The Coalition works to fight modern-day slavery in the agricultural industry and organizes for better pay. They operate a low-power radio station, “Radio Conciencia” as well as a co-op to give families access to affordable food. They have also led hunger strikes and multiple marches.
From Yes!:
IW started in 1993 when Lucas and other workers got together to discuss working conditions. In 1995, they staged a weeklong protest that forced a grower to change his decision to lower pay. But an incident in 1996 galvanized Lucas and CIW. A teenage field worker had asked his foreman for a water break. The foreman refused; the worker stopped for a drink anyway. The foreman beat the worker brutally. Lucas helped spread news of the attack and more than 500 workers gathered in protest, waving the victim’s bloody shirt. The action grew to a boycott of the foreman lasting several weeks. In keeping with his belief in acting as an animator, Lucas was not the leader of this action. Instead, he used it as an opportunity to build confidence among the farmworkers in their own power and the power of collective action. Lucas keeps the teenager’s blood-stained shirt with him to this day. To read the entire profile from Yes! go here.
This week’s Friday Video is a short documentary produced by Jeff Imig about the CIW and their fight against unfair wages and practices, including their effective boycott of Taco Bell. The video highlights both their struggles and successes.
Yes! Magazine’s Breakthrough Fifteen: The Power of Storytelling, Vulnerability, and Community Action.
If you’re a frequent reader of the Boiled Down Juice, you know that Yes! Magazine is one of our favorite publications. With the tag line “powerful ideas, practical actions,” Yes! showcases and explores the concepts and people on the front lines of democracy, social innovation, and community action. Back in November they issued their winter publication, The Breakthrough 15: The justice warriors, eco-innovators, happiness architects, and change artists who are shattering our sense of powerlessness.
I recently picked up a copy (a little late, I know) of this special issue dedicated “to the power of the 99 percent—and to a group of people who aren’t looking for leadership from those with entrenched wealth and influence.” The main goal of this special publication, Yes! claims, is to profile “a group of people who are shattering our sense of powerlessness.”
I especially love that the introductory essay, written by Madeline Ostrander, highlights the power of storytelling, noting that “personal stories remind us that others face the same difficulties and vulnerabilities we do. We discover our own power when we realize we aren’t alone.” It’s this focus on difficulties and vulnerabilities I find particularly important. Too often the media portrays activists as larger than life, endless whirlwinds of ideas and energy, when in reality they’re fragile humans who experience frustration and confusion just like anyone else. Most importantly, their ideas and strategies have been forged within these frustrations and confusions. We need more stories that illuminate this gray area between observation and action.
Ranging from the stories of Henry Red Cloud, the director of Lakota Solar Enterprises which provides renewable energy to poor Native American communities, to Lily Yeh, the founder of Barefoot Artists, an organization using the power of art to transform neighborhoods, the magazine is diverse collection of portraits of people recognizing and utilizing their skills in their own communities.
For the rest of the week we’ll be taking a closer look at some of the people featured and the work they’re doing. Some of the people we’ve discussed before, such as the amazing work of Grace Lee Boggs, but some were new to us.
You can read all the profiles here on Yes! Tell us if you’ve read this issue and what you enjoyed. I’d love to hear your thoughts.
Director Sharon La Cruise Discusses the Film, “Daisy Bates: First Lady of Little Rock.
Last week’s Friday Video was a preview of the upcoming film Daisy Bates: First Lady of Little Rock. Today on the University of Arkansas campus director of the film, Sharon La Cruise, will preset the film and answer questions.
Yesterday Ozarks at Large’s Antoinette Grajeda spoke with La Cruise about the making of the film including her research in Little Rock, her quest to discover why Daisy Bates was not initially seen as potential leader of the movement, Bates’s life as a social and political radical, and a her role in the desegregation of Central High.
“Daisy Bate’s life” La Cruise says, “is the classic example that life really is like ten percent of what happens to you and ninety percent of how you handle it. Because that is how she lived her life because she could have had many options as far a path she could have went down considering where she came from and what she went through. And she made a decision to do good with her life. I’m hoping she’ll be inspirational to young adults….”
To listen to the entire interview go here and click on the link.
In case you missed the Friday Video here it is again. Daisy Bates: First Lady of Little Rock will be airing nationally on February 2nd at 9:00 pm on the PBS series, Independent Lens. The presreening will be held today at 2:00 PM at the Reynolds Center on the U of A campus. The event is hosted in connection with Martin Luther King Jr. week and organized by the University Libraries and Diversity Affairs.
Friday Video: Daisy Bates: First Lady of Little Rock.

From the U of A page. Daisy Bates with six of the Little Rock Nine. Daisy Bates: First Lady of Little Rock. Courtesy of Independent Television Service, 2012.
I’m super excited about this week’s Friday Video, a trailer for the upcoming film, Daisy Bates: First Lady of Little Rock.
Produced by Sharon La Cruise, this film will makes its debut on February 2, 2012 on PBS’s Independent Lens.
If you live in Fayetteville, however, you can catch a pre-screening of the film Thursday January 19 at 2:oo PM at the Donald W. Reynolds Center. The event is hosted in connection with Martin Luther King Jr. week and organized by the University Libraries and Diversity Affairs. After the screening, producer and director Sharon La Cruise, “will discuss the documentary filmmaking process as well as the social and historical issues the film brings to focus.” If you live in the northwest Arkansas area this is a great opportunity. If you get a chance to attend the event please let us know because we’d love to perhaps do a follow up post about the event.
Here’s more on the film. Continuing from the University of Arkansas press release:
Daisy Bates: First Lady of Little Rock tells the story of a seven-year journey by La Cruise to unravel the life of the Arkansas civil rights activist Daisy Bates. Beautiful, glamorous and articulate, Bates was fearless in her quest for justice, stepping into the spotlight to bring national attention to civil rights issues. Unconventional and strong-willed, she became a household name in 1957 when she fought for the right of nine black students to attend the all-white Central High School in Little Rock. Her public support divided the Little Rock community and the state itself – culminating in a constitutional crisis that pitted President Dwight D. Eisenhower against Arkansas Governor Orville Faubus.
To read the press release in its entirety click here.
Daisy Bates: First Lady of Little Rock premieres on the Emmy Award-winning PBS series Independent Lens on Thursday, February 2, 2012 at 9 p.m.http://newswire.uark.edu/article.aspx?id=17459
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